To use these formats, export your compositions from Adobe After Effects to Adobe Media Encoder. Windows Media (available only on Windows).Adobe, however, recommends that you use newer versions of these formats that are available from Adobe Media Encoder. If you want, you can re-enable the older versions of these formats in After Effects using the Output preferences in the Preferences dialog box. Note: These export formats are now disabled by default in After Effects. Several export formats that were available in previous versions of Adobe After Effects are now available in Adobe Media Encoder. Use the keyboard shortcut Ctrl+Alt+M (Windows) and Cmd+Option+M (Mac OS).In Adobe After Effects, select Composition > Add To Adobe Media Encoder Queue, or select File > Export > Add To Adobe Media Encoder Queue.There are two new menu commands and a keyboard shortcut to send compositions selected in the Project panel to the Adobe Media Encoder encoding queue: You can now send compositions from After Effects directly to Adobe Media Encoder. Import and export assets using Adobe Media Encoder Presets with "X" in their name denote a 10-bit depth. The 10-bit depth variants can either be in YUV or RGB color space. The 8-bit depth variants are in YUV color space. They are available in the Presets Browser under the Broadcast category.ĭNxHD presets are available as 8 bits per channel or 10 bits per channel depth. Several DNxHD MXF presets have been added to Adobe Media Encoder. You can also encode any source to the DNxHD MXF format (MXF OP1a variant). QuickTime (with uncompressed alpha channel).MXF (MXF OP1a and MXF Op-Atom variants). You can import DNxHD assets in the following formats: To learn more about the Avid DNxHD codec, see this article from Avid.Īdobe Media Encoder can import and export Avid DNxHD assets without having to install extra codecs. It can be used as an intermediate format while editing. To do so, create a preset with source-matching enabled for all properties except Frame Rate, which is set to 24 fps.Īvid DNxHD is a codec that is used in several non-linear video editing systems. You want to convert all the assets in the Watch Folder to a single format at 24 fps. You can save the Match Source setting as a new preset and apply them to any source in the Queue or Watch Folder panels.įor example, say, you have a Watch Folder containing assets with varying frame sizes and frame rates. Match Source presets are useful when you want to pass a few video attributes from the source, and select specific values for the other attributes. Match Source - Medium bit rate: for Standard-Definition (SD) video sources.This preset is the default Match Source preset for both H.264 and MPEG-2 exporters. Match Source - High bit rate: for High-Definition (HD) video sources.Selecting a Match Source preset automatically activates the appropriate options in the Video settings tab in the Export Settings dialog.Īdobe Media Encoder provides the following two Match Source presets for both H.264 and MPEG-2 exporters: Microsoft Windows 7 with Service Pack 1 (64 bit) or Windows 8.When exporting video files in H.264 or MPEG-2 format, Adobe Media Encoder lets you automatically match the video settings of the source file using Match Source presets.Multicore processor with 64-bit support required.System Requirements and Technical Details Support for HDR in HEVC (H.265) export Export support for Panasonic AVC-Long GOP Op1b.Export support for ambisonic audio (H.264 only).Streamlined bit depth and alpha channel settings (QuickTime only).Option to maintain playback in Premiere Pro while rendering in Media Encoder.Support for Color Profiles from After Effects sources.Timecode modification for 720p 59.94 media.Warning when importing non-native QuickTime sources.
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